[SCM] mma/master: add missing man pages
bolangi-guest at users.alioth.debian.org
bolangi-guest at users.alioth.debian.org
Thu Jan 5 05:35:32 UTC 2012
The following commit has been merged in the master branch:
commit caec83c2dd2f55a9d7c4d957d447e48a5dadd2fd
Author: Joel Roth <joelz at pobox.com>
Date: Wed Jan 4 19:34:41 2012 -1000
add missing man pages
diff --git a/debian/mma-splitrec.py.1 b/debian/mma-splitrec.py.1
new file mode 100644
index 0000000..f2236a7
--- /dev/null
+++ b/debian/mma-splitrec.py.1
@@ -0,0 +1,222 @@
+.\" Automatically generated by Pod::Man 2.23 (Pod::Simple 3.14)
+.\"
+.\" Standard preamble:
+.\" ========================================================================
+.de Sp \" Vertical space (when we can't use .PP)
+.if t .sp .5v
+.if n .sp
+..
+.de Vb \" Begin verbatim text
+.ft CW
+.nf
+.ne \\$1
+..
+.de Ve \" End verbatim text
+.ft R
+.fi
+..
+.\" Set up some character translations and predefined strings. \*(-- will
+.\" give an unbreakable dash, \*(PI will give pi, \*(L" will give a left
+.\" double quote, and \*(R" will give a right double quote. \*(C+ will
+.\" give a nicer C++. Capital omega is used to do unbreakable dashes and
+.\" therefore won't be available. \*(C` and \*(C' expand to `' in nroff,
+.\" nothing in troff, for use with C<>.
+.tr \(*W-
+.ds C+ C\v'-.1v'\h'-1p'\s-2+\h'-1p'+\s0\v'.1v'\h'-1p'
+.ie n \{\
+. ds -- \(*W-
+. ds PI pi
+. if (\n(.H=4u)&(1m=24u) .ds -- \(*W\h'-12u'\(*W\h'-12u'-\" diablo 10 pitch
+. if (\n(.H=4u)&(1m=20u) .ds -- \(*W\h'-12u'\(*W\h'-8u'-\" diablo 12 pitch
+. ds L" ""
+. ds R" ""
+. ds C` ""
+. ds C' ""
+'br\}
+.el\{\
+. ds -- \|\(em\|
+. ds PI \(*p
+. ds L" ``
+. ds R" ''
+'br\}
+.\"
+.\" Escape single quotes in literal strings from groff's Unicode transform.
+.ie \n(.g .ds Aq \(aq
+.el .ds Aq '
+.\"
+.\" If the F register is turned on, we'll generate index entries on stderr for
+.\" titles (.TH), headers (.SH), subsections (.SS), items (.Ip), and index
+.\" entries marked with X<> in POD. Of course, you'll have to process the
+.\" output yourself in some meaningful fashion.
+.ie \nF \{\
+. de IX
+. tm Index:\\$1\t\\n%\t"\\$2"
+..
+. nr % 0
+. rr F
+.\}
+.el \{\
+. de IX
+..
+.\}
+.\"
+.\" Accent mark definitions (@(#)ms.acc 1.5 88/02/08 SMI; from UCB 4.2).
+.\" Fear. Run. Save yourself. No user-serviceable parts.
+. \" fudge factors for nroff and troff
+.if n \{\
+. ds #H 0
+. ds #V .8m
+. ds #F .3m
+. ds #[ \f1
+. ds #] \fP
+.\}
+.if t \{\
+. ds #H ((1u-(\\\\n(.fu%2u))*.13m)
+. ds #V .6m
+. ds #F 0
+. ds #[ \&
+. ds #] \&
+.\}
+. \" simple accents for nroff and troff
+.if n \{\
+. ds ' \&
+. ds ` \&
+. ds ^ \&
+. ds , \&
+. ds ~ ~
+. ds /
+.\}
+.if t \{\
+. ds ' \\k:\h'-(\\n(.wu*8/10-\*(#H)'\'\h"|\\n:u"
+. ds ` \\k:\h'-(\\n(.wu*8/10-\*(#H)'\`\h'|\\n:u'
+. ds ^ \\k:\h'-(\\n(.wu*10/11-\*(#H)'^\h'|\\n:u'
+. ds , \\k:\h'-(\\n(.wu*8/10)',\h'|\\n:u'
+. ds ~ \\k:\h'-(\\n(.wu-\*(#H-.1m)'~\h'|\\n:u'
+. ds / \\k:\h'-(\\n(.wu*8/10-\*(#H)'\z\(sl\h'|\\n:u'
+.\}
+. \" troff and (daisy-wheel) nroff accents
+.ds : \\k:\h'-(\\n(.wu*8/10-\*(#H+.1m+\*(#F)'\v'-\*(#V'\z.\h'.2m+\*(#F'.\h'|\\n:u'\v'\*(#V'
+.ds 8 \h'\*(#H'\(*b\h'-\*(#H'
+.ds o \\k:\h'-(\\n(.wu+\w'\(de'u-\*(#H)/2u'\v'-.3n'\*(#[\z\(de\v'.3n'\h'|\\n:u'\*(#]
+.ds d- \h'\*(#H'\(pd\h'-\w'~'u'\v'-.25m'\f2\(hy\fP\v'.25m'\h'-\*(#H'
+.ds D- D\\k:\h'-\w'D'u'\v'-.11m'\z\(hy\v'.11m'\h'|\\n:u'
+.ds th \*(#[\v'.3m'\s+1I\s-1\v'-.3m'\h'-(\w'I'u*2/3)'\s-1o\s+1\*(#]
+.ds Th \*(#[\s+2I\s-2\h'-\w'I'u*3/5'\v'-.3m'o\v'.3m'\*(#]
+.ds ae a\h'-(\w'a'u*4/10)'e
+.ds Ae A\h'-(\w'A'u*4/10)'E
+. \" corrections for vroff
+.if v .ds ~ \\k:\h'-(\\n(.wu*9/10-\*(#H)'\s-2\u~\d\s+2\h'|\\n:u'
+.if v .ds ^ \\k:\h'-(\\n(.wu*10/11-\*(#H)'\v'-.4m'^\v'.4m'\h'|\\n:u'
+. \" for low resolution devices (crt and lpr)
+.if \n(.H>23 .if \n(.V>19 \
+\{\
+. ds : e
+. ds 8 ss
+. ds o a
+. ds d- d\h'-1'\(ga
+. ds D- D\h'-1'\(hy
+. ds th \o'bp'
+. ds Th \o'LP'
+. ds ae ae
+. ds Ae AE
+.\}
+.rm #[ #] #H #V #F C
+.\" ========================================================================
+.\"
+.IX Title "mma-splitrec.py 1"
+.TH mma-splitrec.py 1 "2012-01-04" " " " "
+.\" For nroff, turn off justification. Always turn off hyphenation; it makes
+.\" way too many mistakes in technical documents.
+.if n .ad l
+.nh
+.SH "NAME"
+mma\-splitrec.py \- Create wav tracks from MMA input file
+.SH "SYNOPSIS"
+.IX Header "SYNOPSIS"
+\&\fBmma\-splitrec.py\fR <somefile.mma>
+.SH "DESCRIPTION"
+.IX Header "DESCRIPTION"
+This program is used to create a set of wav tracks from a \s-1MMA\s0
+input file. You need \s-1MMA\s0, the input file, a midiplayer, audio
+recorder and an external synth or timidity.
+.PP
+The command:
+.Sp
+.RS 12
+mma\-splitrec.py somefile.mma
+.RE
+.PP
+will determine the tracks in the \s-1MMA\s0 file, create temporary MIDIs
+for each track, play each file though an external synth and record
+the results into a series of wav files.
+.PP
+Also created is a mix file with all the tracks. This is called \*(L"bg.wav\*(R".
+.PP
+When using an external synth the conversion takes a long time ...
+about the number of tracks times the duration of the song. Be patient.
+.PP
+If you have timidity installed you can let it create the wav files. It works
+pretty well, depending on your installed soundfonts.
+.PP
+Using timidity i've had good success with the following:
+.Sp
+.RS 12
+1. use mma\-splitrec.py with a decent soundfont to create tracks,
+.Sp
+2. use timidity to create a mix track of the mma file,
+.Sp
+3. copy the mix to my Zoom H4 recorder into a project file,
+.Sp
+4. play/create lots of sax tracks while listening to the mix (4 track mode on the H4),
+.Sp
+5. copy the sax tracks the split tracks from (1) into audacity,
+.Sp
+6. edit the tracks,
+.Sp
+7. publish the song and become rich and famous!
+.RE
+.SH "OPTIONS"
+.IX Header "OPTIONS"
+.IP "\fB\-m\fR" 12
+.IX Item "-m"
+Set the midi file player (aplaymidi) options. This is usually
+the port. You should quote the arg: \-m \*(L"\-p 20\*(R"
+.IP "\fB\-r\fR" 12
+.IX Item "-r"
+Recorder options (arecord). You can change the number of channels,
+quality, port, etc. Again, quote the arg: \-r \*(L"\-D hw:0,0 \-c2\*(R"
+.IP "\fB\-o\fR" 12
+.IX Item "-o"
+Timidity options. Quote args: \-o \*(L"\-Ow\*(R"
+.Sp
+See the manual pages for aplaymidi, arecord and timidiy for option details.
+.IP "\fB\-i\fR" 12
+.IX Item "-i"
+By default an external synth is assumed. Use this option to force use
+of timidity.
+.IP "\fB\-b\fR" 12
+.IX Item "-b"
+By default the track \*(L"bg.wav\*(R" is created with all tracks playing. This
+option will skip creating that track.
+.IP "\fB\-t\fR" 12
+.IX Item "-t"
+Create only track \s-1XX\s0. The track name is passed to mma and its \-T option.
+To create a set of tracks you need multiple \-t settings: \-t Solo \-t Chord-piano
+.Sp
+The track names are \s-1NOT\s0 case sensitive.
+.IP "\fB\-x\fR" 12
+.IX Item "-x"
+Exclude tracks. Again, a separate \-x is required for each track to skip.
+.SH "SEE ALSO"
+.IX Header "SEE ALSO"
+\&\fImma\fR\|(1)
+.SH "RESOURCES"
+.IX Header "RESOURCES"
+The latest version of this program is always distributed with
+\&\fB\s-1MMA\s0\fR and is available at http://www.mellowood.ca/mma
+.SH "AUTHOR"
+.IX Header "AUTHOR"
+Bob van der Poel <bob at mellowood.ca>
+.SH "LICENSE"
+.IX Header "LICENSE"
+mma\-splitrec.py is Copyright 2002\-2008 Bob van der Poel. Free use of this software is granted under the terms of the \s-1GNU\s0 General Public License.
diff --git a/debian/mup2mma.py.1 b/debian/mup2mma.py.1
new file mode 100644
index 0000000..3392814
--- /dev/null
+++ b/debian/mup2mma.py.1
@@ -0,0 +1,182 @@
+.\" Automatically generated by Pod::Man 2.23 (Pod::Simple 3.14)
+.\"
+.\" Standard preamble:
+.\" ========================================================================
+.de Sp \" Vertical space (when we can't use .PP)
+.if t .sp .5v
+.if n .sp
+..
+.de Vb \" Begin verbatim text
+.ft CW
+.nf
+.ne \\$1
+..
+.de Ve \" End verbatim text
+.ft R
+.fi
+..
+.\" Set up some character translations and predefined strings. \*(-- will
+.\" give an unbreakable dash, \*(PI will give pi, \*(L" will give a left
+.\" double quote, and \*(R" will give a right double quote. \*(C+ will
+.\" give a nicer C++. Capital omega is used to do unbreakable dashes and
+.\" therefore won't be available. \*(C` and \*(C' expand to `' in nroff,
+.\" nothing in troff, for use with C<>.
+.tr \(*W-
+.ds C+ C\v'-.1v'\h'-1p'\s-2+\h'-1p'+\s0\v'.1v'\h'-1p'
+.ie n \{\
+. ds -- \(*W-
+. ds PI pi
+. if (\n(.H=4u)&(1m=24u) .ds -- \(*W\h'-12u'\(*W\h'-12u'-\" diablo 10 pitch
+. if (\n(.H=4u)&(1m=20u) .ds -- \(*W\h'-12u'\(*W\h'-8u'-\" diablo 12 pitch
+. ds L" ""
+. ds R" ""
+. ds C` ""
+. ds C' ""
+'br\}
+.el\{\
+. ds -- \|\(em\|
+. ds PI \(*p
+. ds L" ``
+. ds R" ''
+'br\}
+.\"
+.\" Escape single quotes in literal strings from groff's Unicode transform.
+.ie \n(.g .ds Aq \(aq
+.el .ds Aq '
+.\"
+.\" If the F register is turned on, we'll generate index entries on stderr for
+.\" titles (.TH), headers (.SH), subsections (.SS), items (.Ip), and index
+.\" entries marked with X<> in POD. Of course, you'll have to process the
+.\" output yourself in some meaningful fashion.
+.ie \nF \{\
+. de IX
+. tm Index:\\$1\t\\n%\t"\\$2"
+..
+. nr % 0
+. rr F
+.\}
+.el \{\
+. de IX
+..
+.\}
+.\"
+.\" Accent mark definitions (@(#)ms.acc 1.5 88/02/08 SMI; from UCB 4.2).
+.\" Fear. Run. Save yourself. No user-serviceable parts.
+. \" fudge factors for nroff and troff
+.if n \{\
+. ds #H 0
+. ds #V .8m
+. ds #F .3m
+. ds #[ \f1
+. ds #] \fP
+.\}
+.if t \{\
+. ds #H ((1u-(\\\\n(.fu%2u))*.13m)
+. ds #V .6m
+. ds #F 0
+. ds #[ \&
+. ds #] \&
+.\}
+. \" simple accents for nroff and troff
+.if n \{\
+. ds ' \&
+. ds ` \&
+. ds ^ \&
+. ds , \&
+. ds ~ ~
+. ds /
+.\}
+.if t \{\
+. ds ' \\k:\h'-(\\n(.wu*8/10-\*(#H)'\'\h"|\\n:u"
+. ds ` \\k:\h'-(\\n(.wu*8/10-\*(#H)'\`\h'|\\n:u'
+. ds ^ \\k:\h'-(\\n(.wu*10/11-\*(#H)'^\h'|\\n:u'
+. ds , \\k:\h'-(\\n(.wu*8/10)',\h'|\\n:u'
+. ds ~ \\k:\h'-(\\n(.wu-\*(#H-.1m)'~\h'|\\n:u'
+. ds / \\k:\h'-(\\n(.wu*8/10-\*(#H)'\z\(sl\h'|\\n:u'
+.\}
+. \" troff and (daisy-wheel) nroff accents
+.ds : \\k:\h'-(\\n(.wu*8/10-\*(#H+.1m+\*(#F)'\v'-\*(#V'\z.\h'.2m+\*(#F'.\h'|\\n:u'\v'\*(#V'
+.ds 8 \h'\*(#H'\(*b\h'-\*(#H'
+.ds o \\k:\h'-(\\n(.wu+\w'\(de'u-\*(#H)/2u'\v'-.3n'\*(#[\z\(de\v'.3n'\h'|\\n:u'\*(#]
+.ds d- \h'\*(#H'\(pd\h'-\w'~'u'\v'-.25m'\f2\(hy\fP\v'.25m'\h'-\*(#H'
+.ds D- D\\k:\h'-\w'D'u'\v'-.11m'\z\(hy\v'.11m'\h'|\\n:u'
+.ds th \*(#[\v'.3m'\s+1I\s-1\v'-.3m'\h'-(\w'I'u*2/3)'\s-1o\s+1\*(#]
+.ds Th \*(#[\s+2I\s-2\h'-\w'I'u*3/5'\v'-.3m'o\v'.3m'\*(#]
+.ds ae a\h'-(\w'a'u*4/10)'e
+.ds Ae A\h'-(\w'A'u*4/10)'E
+. \" corrections for vroff
+.if v .ds ~ \\k:\h'-(\\n(.wu*9/10-\*(#H)'\s-2\u~\d\s+2\h'|\\n:u'
+.if v .ds ^ \\k:\h'-(\\n(.wu*10/11-\*(#H)'\v'-.4m'^\v'.4m'\h'|\\n:u'
+. \" for low resolution devices (crt and lpr)
+.if \n(.H>23 .if \n(.V>19 \
+\{\
+. ds : e
+. ds 8 ss
+. ds o a
+. ds d- d\h'-1'\(ga
+. ds D- D\h'-1'\(hy
+. ds th \o'bp'
+. ds Th \o'LP'
+. ds ae ae
+. ds Ae AE
+.\}
+.rm #[ #] #H #V #F C
+.\" ========================================================================
+.\"
+.IX Title "mup2mma.py 1"
+.TH mup2mma.py 1 "2012-01-04" " " " "
+.\" For nroff, turn off justification. Always turn off hyphenation; it makes
+.\" way too many mistakes in technical documents.
+.if n .ad l
+.nh
+.SH "NAME"
+mup2mma.py
+.SH "SYNOPSIS"
+.IX Header "SYNOPSIS"
+\&\fBmup2mma\fR [options] <mupfile>
+.SH "DESCRIPTION"
+.IX Header "DESCRIPTION"
+mup2mma extracts chords from a \s-1MUP\s0 music notation file and
+creates a \s-1MMA\s0 file. For this to work the \s-1MUP\s0 file must use
+the macro \*(L"C\*(R" for chord. In my \s-1MUP\s0 files I have the following:
+.Sp
+.RS 6
+define C bold (11) chord above all: @
+.RE
+.PP
+This script just checks all input lines and assumes that anything
+starting with \*(L"C\*(R" is a chord line.
+.PP
+Additional \*(L"features\*(R":
+.Sp
+.RS 6
+Lines in the form \*(L"// \s-1TEMPO:\s0 xx\*(R" generate a Tempo entry
+.Sp
+\&\*(L"time =\*(R" lines are parsed for common time signatures
+.Sp
+repeats are inserted as comment lines
+.RE
+.SH "OPTIONS"
+.IX Header "OPTIONS"
+.IP "\-m" 6
+.IX Item "-m"
+add melody lines
+.IP "\-l" 6
+.IX Item "-l"
+add lyrics
+.IP "\-o" 6
+.IX Item "-o"
+overwrite
+.SH "SEE ALSO"
+.IX Header "SEE ALSO"
+\&\fImma\fR\|(1)
+.SH "RESOURCES"
+.IX Header "RESOURCES"
+The latest version of this program is always distributed with
+\&\fB\s-1MMA\s0\fR and is available at http://www.mellowood.ca/mma
+.SH "AUTHOR"
+.IX Header "AUTHOR"
+Bob van der Poel <bob at mellowood.ca>
+.SH "LICENSE"
+.IX Header "LICENSE"
+mup2mma.py is Copyright 2002\-2008 Bob van der Poel. Free use of this software is granted under the terms of the \s-1GNU\s0 General Public License.
diff --git a/debian/pg2mma.py.1 b/debian/pg2mma.py.1
new file mode 100644
index 0000000..4a9309c
--- /dev/null
+++ b/debian/pg2mma.py.1
@@ -0,0 +1,207 @@
+.\" Automatically generated by Pod::Man 2.23 (Pod::Simple 3.14)
+.\"
+.\" Standard preamble:
+.\" ========================================================================
+.de Sp \" Vertical space (when we can't use .PP)
+.if t .sp .5v
+.if n .sp
+..
+.de Vb \" Begin verbatim text
+.ft CW
+.nf
+.ne \\$1
+..
+.de Ve \" End verbatim text
+.ft R
+.fi
+..
+.\" Set up some character translations and predefined strings. \*(-- will
+.\" give an unbreakable dash, \*(PI will give pi, \*(L" will give a left
+.\" double quote, and \*(R" will give a right double quote. \*(C+ will
+.\" give a nicer C++. Capital omega is used to do unbreakable dashes and
+.\" therefore won't be available. \*(C` and \*(C' expand to `' in nroff,
+.\" nothing in troff, for use with C<>.
+.tr \(*W-
+.ds C+ C\v'-.1v'\h'-1p'\s-2+\h'-1p'+\s0\v'.1v'\h'-1p'
+.ie n \{\
+. ds -- \(*W-
+. ds PI pi
+. if (\n(.H=4u)&(1m=24u) .ds -- \(*W\h'-12u'\(*W\h'-12u'-\" diablo 10 pitch
+. if (\n(.H=4u)&(1m=20u) .ds -- \(*W\h'-12u'\(*W\h'-8u'-\" diablo 12 pitch
+. ds L" ""
+. ds R" ""
+. ds C` ""
+. ds C' ""
+'br\}
+.el\{\
+. ds -- \|\(em\|
+. ds PI \(*p
+. ds L" ``
+. ds R" ''
+'br\}
+.\"
+.\" Escape single quotes in literal strings from groff's Unicode transform.
+.ie \n(.g .ds Aq \(aq
+.el .ds Aq '
+.\"
+.\" If the F register is turned on, we'll generate index entries on stderr for
+.\" titles (.TH), headers (.SH), subsections (.SS), items (.Ip), and index
+.\" entries marked with X<> in POD. Of course, you'll have to process the
+.\" output yourself in some meaningful fashion.
+.ie \nF \{\
+. de IX
+. tm Index:\\$1\t\\n%\t"\\$2"
+..
+. nr % 0
+. rr F
+.\}
+.el \{\
+. de IX
+..
+.\}
+.\"
+.\" Accent mark definitions (@(#)ms.acc 1.5 88/02/08 SMI; from UCB 4.2).
+.\" Fear. Run. Save yourself. No user-serviceable parts.
+. \" fudge factors for nroff and troff
+.if n \{\
+. ds #H 0
+. ds #V .8m
+. ds #F .3m
+. ds #[ \f1
+. ds #] \fP
+.\}
+.if t \{\
+. ds #H ((1u-(\\\\n(.fu%2u))*.13m)
+. ds #V .6m
+. ds #F 0
+. ds #[ \&
+. ds #] \&
+.\}
+. \" simple accents for nroff and troff
+.if n \{\
+. ds ' \&
+. ds ` \&
+. ds ^ \&
+. ds , \&
+. ds ~ ~
+. ds /
+.\}
+.if t \{\
+. ds ' \\k:\h'-(\\n(.wu*8/10-\*(#H)'\'\h"|\\n:u"
+. ds ` \\k:\h'-(\\n(.wu*8/10-\*(#H)'\`\h'|\\n:u'
+. ds ^ \\k:\h'-(\\n(.wu*10/11-\*(#H)'^\h'|\\n:u'
+. ds , \\k:\h'-(\\n(.wu*8/10)',\h'|\\n:u'
+. ds ~ \\k:\h'-(\\n(.wu-\*(#H-.1m)'~\h'|\\n:u'
+. ds / \\k:\h'-(\\n(.wu*8/10-\*(#H)'\z\(sl\h'|\\n:u'
+.\}
+. \" troff and (daisy-wheel) nroff accents
+.ds : \\k:\h'-(\\n(.wu*8/10-\*(#H+.1m+\*(#F)'\v'-\*(#V'\z.\h'.2m+\*(#F'.\h'|\\n:u'\v'\*(#V'
+.ds 8 \h'\*(#H'\(*b\h'-\*(#H'
+.ds o \\k:\h'-(\\n(.wu+\w'\(de'u-\*(#H)/2u'\v'-.3n'\*(#[\z\(de\v'.3n'\h'|\\n:u'\*(#]
+.ds d- \h'\*(#H'\(pd\h'-\w'~'u'\v'-.25m'\f2\(hy\fP\v'.25m'\h'-\*(#H'
+.ds D- D\\k:\h'-\w'D'u'\v'-.11m'\z\(hy\v'.11m'\h'|\\n:u'
+.ds th \*(#[\v'.3m'\s+1I\s-1\v'-.3m'\h'-(\w'I'u*2/3)'\s-1o\s+1\*(#]
+.ds Th \*(#[\s+2I\s-2\h'-\w'I'u*3/5'\v'-.3m'o\v'.3m'\*(#]
+.ds ae a\h'-(\w'a'u*4/10)'e
+.ds Ae A\h'-(\w'A'u*4/10)'E
+. \" corrections for vroff
+.if v .ds ~ \\k:\h'-(\\n(.wu*9/10-\*(#H)'\s-2\u~\d\s+2\h'|\\n:u'
+.if v .ds ^ \\k:\h'-(\\n(.wu*10/11-\*(#H)'\v'-.4m'^\v'.4m'\h'|\\n:u'
+. \" for low resolution devices (crt and lpr)
+.if \n(.H>23 .if \n(.V>19 \
+\{\
+. ds : e
+. ds 8 ss
+. ds o a
+. ds d- d\h'-1'\(ga
+. ds D- D\h'-1'\(hy
+. ds th \o'bp'
+. ds Th \o'LP'
+. ds ae ae
+. ds Ae AE
+.\}
+.rm #[ #] #H #V #F C
+.\" ========================================================================
+.\"
+.IX Title "pg2mma.py 1"
+.TH pg2mma.py 1 "2012-01-04" " " " "
+.\" For nroff, turn off justification. Always turn off hyphenation; it makes
+.\" way too many mistakes in technical documents.
+.if n .ad l
+.nh
+.SH "NAME"
+pg2mma.py
+.SH "SYNOPSIS"
+.IX Header "SYNOPSIS"
+\&\fBpg2mma.py\fR <infile> <outfile>
+.PP
+No options. Both infile and outfile must be specified. No files will
+be overwritten.
+.SH "DESCRIPTION"
+.IX Header "DESCRIPTION"
+This program is used to convert a PGMusic .pat file containing
+extended patch definitions to a \s-1MMA\s0 format. The .pat files will
+contain lines like:
+.Sp
+.Vb 11
+\& [
+\& [Yamaha PSR 9000 \- E.Piano
+\& [ (P1)
+\& 4.0.114=Galaxy EP
+\& 4.0.117=Stage EP
+\& 4.0.115=Polaris EP
+\& 5.0.118=Jazz Chorus
+\& 5.0.113=Hyper Tines
+\& 4.0.119=Cool! EP
+\& 4.0.120=Phase EP
+\& 5.0.116=New Tines
+.Ve
+.PP
+This program will convert the above to:
+.Sp
+.RS 6
+Begin Patch Set
+.Sp
+.Vb 10
+\& // Yamaha PSR 9000 \- E.Piano
+\& // (P1)
+\& 4.0.114=GalaxyEp
+\& 4.0.117=StageEp
+\& 4.0.115=PolarisEp
+\& 5.0.118=JazzChorus
+\& 5.0.113=HyperTines
+\& 4.0.119=Cool!Ep
+\& 4.0.120=PhaseEp
+\& 5.0.116=NewTines
+.Ve
+.Sp
+End
+.RE
+.PP
+The names in the orginal file are converted to CamelCase; both ';' and []
+comments are converted to \s-1MMA\s0 // style.
+.PP
+The conversion recognizes the \*(L"\s-1ONEBASED\s0\*(R" keyword. When found, subsequent
+patch values will be decremented by 1.
+.PP
+The produced files should be useable directly by mma. However, there are a
+few cautions:
+.IP "\(bu" 6
+the .pat files we've looked at do contain errors.
+.IP "\(bu" 6
+many of the .pat files redefine existing \s-1GM\s0 voice names. You
+will need to change these names or put up with warning
+messages from \s-1MMA\s0.
+.SH "SEE ALSO"
+.IX Header "SEE ALSO"
+\&\fImma\fR\|(1)
+.SH "RESOURCES"
+.IX Header "RESOURCES"
+The latest version of this program is always distributed with
+\&\fB\s-1MMA\s0\fR and is available at http://www.mellowood.ca/mma
+.SH "AUTHOR"
+.IX Header "AUTHOR"
+Bob van der Poel <bob at mellowood.ca>
+.SH "LICENSE"
+.IX Header "LICENSE"
+pg2mma.py is Copyright 2002\-2008 Bob van der Poel. Free use of this software is granted under the terms of the \s-1GNU\s0 General Public License.
diff --git a/debian/mma-gb.1 b/debian/synthsplit.py.1
similarity index 51%
copy from debian/mma-gb.1
copy to debian/synthsplit.py.1
index bf84b30..1b7396b 100644
--- a/debian/mma-gb.1
+++ b/debian/synthsplit.py.1
@@ -1,15 +1,15 @@
-.TH mma-gb 1
+.TH synthsplit.py 1
.SH NAME
-mma-gb \- GUI browser for mma grooves
+synthsplit.py \- Create multi-track wav file from MMA file
.SH SYNOPSIS
.PP
-.B mma-gb
+.B synthsplit.py
+<somefile.mma>
.SH DESCRIPTION
-.B mma-gb
-provides a simple browser for viewing grooves and their
-contents.
+.B synthsplit.py
+creates multi-track wav file from MMA file using external synth.
.SH SEE ALSO
mma(1)
@@ -22,5 +22,5 @@ and is available at http://www.mellowood.ca/mma
.SH AUTHOR
Bob van der Poel <bob at mellowood.ca>
.SH LICENSE
-mma-gb is Copyright 2002-2008 Bob van der Poel. Free use of this software is granted
+synthsplit.py is Copyright 2002-2008 Bob van der Poel. Free use of this software is granted
under the terms of the GNU General Public License.
--
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