[SCM] calf/master: Switch to HTML, all dynamics added
js at users.alioth.debian.org
js at users.alioth.debian.org
Tue May 7 15:39:53 UTC 2013
The following commit has been merged in the master branch:
commit eb27cde7d170aedeaedff9403d4cbf4c1d9ea4a6
Author: Markus Schmidt <schmidt at boomshop.net>
Date: Wed Dec 9 04:33:18 2009 +0100
Switch to HTML, all dynamics added
diff --git a/doc/manuals/Calf.html b/doc/manuals/Calf.html
new file mode 100644
index 0000000..ee45764
--- /dev/null
+++ b/doc/manuals/Calf.html
@@ -0,0 +1,27 @@
+<html>
+ <head>
+ <link type="text/css" rel="stylesheet" href="scripts/thickbox.css" />
+ <link type="text/css" rel="stylesheet" href="scripts/style.css" />
+ <script language="javascript" type="text/javascript" src="scripts/jquery.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/thickbox.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/manual.js"></script>
+ </head>
+ <body>
+ <div class="wrapper">
+ <h1>Calf Rack</h1>
+ <a href="images/Calf.png" title="Calf - Rack" class="thickbox"><img class="thumbnail" src="images/Calf.png" /></a>
+ <h2>Functionality</h2>
+ <p>
+ The Rack is the heart of Calf. Here you can load synthesizers and effect plugins to
+ wire them trough Jack.<br /><br />
+ To add a plugin click on "Add plugin" in the menu and choose one from the list.<br /><br />
+ Every plugin added will be represented as a rack gear which provides some basic
+ information like in and out levels and MIDI traffic.<br /><br />
+ The "Edit" button will raise the GUI of the plugin. Once open the same button
+ closes the plugin window again. If you close the window of a plugin with the
+ window buttons it isn't removed from the rack.<br /><br />
+ To remove a plugin from the rack simply click on the "Remove" button.
+ </p>
+ </div>
+ </body>
+</html>
diff --git a/doc/manuals/Compressor.html b/doc/manuals/Compressor.html
new file mode 100644
index 0000000..93eee25
--- /dev/null
+++ b/doc/manuals/Compressor.html
@@ -0,0 +1,98 @@
+<html>
+ <head>
+ <link type="text/css" rel="stylesheet" href="scripts/thickbox.css" />
+ <link type="text/css" rel="stylesheet" href="scripts/style.css" />
+ <script language="javascript" type="text/javascript" src="scripts/jquery.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/thickbox.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/manual.js"></script>
+ </head>
+ <body>
+ <div class="wrapper">
+ <h1>Compressor</h1>
+ <a href="images/Calf - Compressor.png" title="Calf - Compressor" class="thickbox"><img class="thumbnail" src="images/Calf - Compressor.png" /></a>
+ <h2>Functionality</h2>
+ <p>
+ A compressor is mainly used to reduce the dynamic of a signal. Especially modern music is mostly
+ compressed at a high ratio to improve the overall loudness. It's done to get the highest
+ attention of a listener, "fatten" the sound and bring more "power" to the track. If a signal is
+ compressed too much it may sound dull or "dead" afterwards or it may start to "pump" (which
+ could be a powerful effect but can also destroy a track completely). The right compression
+ is the key to reach a professional sound and is the high art of mixing and mastering. Because of
+ it's complex settings it may take a long time to get the right feeling for this kind of effect.
+ </p>
+ <h2>Basics and controls</h2>
+ <p>
+ Compression is done by detecting the volume above
+ a chosen level ("Threshold") and divide it by the factor set with "Ratio". So if you set the threshold to
+ -12dB and your signal reaches -6dB a ratio of 2:1 will result in a signal at -9dB. Because an exact
+ manipulation of the signal would cause distrotion of the waveform the reduction can be levelled over
+ the time. This is done by setting "Attack" and "Release".
+ <br /><br />
+ "Attack" determines how long the signal has
+ to rise above the threshold before any reduction will occur and "Release" sets the time the signal has to
+ fall below the threshold to reduce the reduction again. Shorter signals than the chosen attack time
+ will be left untouched.
+ <br /><br />
+ The overall reduction of the signal can be made up afterwards with the "Makeup" setting. So compressing
+ the peaks of a signal about 6dB and rising the makeup to this level results in a signal two times louder
+ than the source.
+ <br /><br />
+ To gain a softer entry in the compression the "Knee" flattens the hard edge at the threshold in the
+ range of the chosen decibels.
+ </p>
+ <h2>Line graph</h2>
+ <p>
+ The line graph shows exactly what your compressor is doing at the moment. The x-axis shows the input level
+ and the y-axis displays the output. The dot represents the actual level of the detected signal. Here you
+ can see exactly how much your audio is reduced.
+ </p>
+ <h2>Examples and Tipps</h2>
+ <p>
+ Nearly every signal in modern music can benefit from some kind of compression. Even if you have a signal
+ at a constant level (ex. a bassdrum from a sampler) the right compression could raise the sustain
+ of it (shorter attack and release) or add a harder attack (vice versa) for example.
+ Mainly a compressor is used to reduce the dynamics of natural
+ sound sources like vocals, piano, guitars, drums and so on to fit the loudness levels widely used today.
+ </p><p>
+ The attack and release times are essential for the sound the compressor produces on different sources. That's
+ the reason why presets are mostly senseless due to the great differences between the dynamics and the waveforms
+ of different signals. Deeper sounds like bass guitars and bassdrums need higher attack and release times (above
+ 50 or 100ms) while mid sounds are compressed with shorter values (about 25 to 50ms). High sounds can be reduced
+ with attack times below 20ms. The release time depends mainly on the sustain of the sound and is mostly
+ two or three times the attack time.
+ </p><p>
+ If you hear your signal starting to "pump" increase the release time until
+ it stops. This will reduce the overall loudness of the signal so perhaps decreasing the release time could
+ be the better choice if no audible distortion appears or it doesn't matter.
+ </p><p>
+ If your source contains a complex waveform (a piano or a complete mix for example) wideband compression
+ could be the wrong tool to raise the loudness without "flattening" or "killing" your sound. Signals with
+ a wide range of different frequencies are more likely compressed with a multiband compressor to keep
+ the loudness of frequencies that doesn't raise above the threshold.
+ </p><p>
+ To reduce the dynamics of a separated frequency range, affect a range more than another or to limit
+ a separated band of frequencies use a sidechain compressor instead.
+ </p><p>
+ If you compressed a vocal track don't forget to deess it afterwards because compression on vocals leaves
+ the "sssss" and "shhhhhhh" sounds untouched due to their low levels at a high volume.
+ </p>
+ <h2>Controls</h2>
+ <ul>
+ <li><strong>Bypass:</strong> Don't process anything, just bypass the signal</li>
+ <li><strong>Input (knob):</strong> Raise the volume before the signal is sent in the compression stage. If you have found some great settings but want to raise the overall loudness of the track simply increase this level.</li>
+ <li><strong>Input (VU-meter):</strong> The level of the original signal</li>
+ <li><strong>Input (LED):</strong> Flashes if the level of the original signal raises above 0dB (it doesn't clip your signal)</li>
+ <li><strong>Output (VU-meter):</strong> The level of the compressed and made up signal</li>
+ <li><strong>Output (LED):</strong> Flashes if the level of the output signal raises above 0dB (it may clip your signal depending on your host and your systems' bitrate!)</li>
+ <li><strong>Reduction:</strong> The level of reduction on the original signal</li>
+ <li><strong>Attack:</strong> Amount of milliseconds the signal has to rise above the threshold before gain reduction starts</li>
+ <li><strong>Release:</strong> Amount of milliseconds the signal has to fall below the threshold before the reduction is decreased again</li>
+ <li><strong>Knee:</strong> Curve the sharp knee around the threshold to enter gain reduction more softly</li>
+ <li><strong>Ratio:</strong> Set a ratio about which the signal is reduced. 1:2 means that if the level rises 4dB above the threshold, it will be only 2dB above after the reduction.</li>
+ <li><strong>Threshold:</strong> If a signal rises above this level it will affect the gain reduction</li>
+ <li><strong>Makeup:</strong> Amplify your signal after processing</li>
+ <li><strong>Stereo Link:</strong> Choose if the average level between both channels or the louder channel affects the reduction</li>
+ <li><strong>Detection:</strong> Choose if the deesser should take the exact signal for detection or an RMS like one (it's mainly smoother).</li>
+ </div>
+ </body>
+</html>
diff --git a/doc/manuals/Deesser b/doc/manuals/Deesser
deleted file mode 100644
index c2d7063..0000000
--- a/doc/manuals/Deesser
+++ /dev/null
@@ -1,31 +0,0 @@
-Deesser
-
-Functionality
-
-A Deesser is used to dynamically reduce high frequencies. The standard field of use is the reduction of "sssss" and "shhhh" in vocal tracks, that's where it's name came from. A deesser is mainly based on a compressor that reacts not on the full range signal but on a filtered sidechain signal. The signal is split in two different threads. The sidechain thread is sent through a filter, before it acts as a level for reducing the gain of the main thread. A deesser could also be used to reduce some high transients of a snaredrum or to bring some "air" in a sound without killing your tweeter on attack. So it may act as a creative effect just like as a troubleshooter. But never compress a vocal track without adding a deesser afterwards - if you have a heart for your listeners.
-
-Calf Deesser is able to be driven in sidechain mode. It means that not the full range signal will be affected by the gain reduction but only frequencies above the split frequency are manipulated in gain. Normally a wideband deesser sounds much cleaner on a single vocal track. But multitimbral vocals recordings could benefit a lot from this functionality. It also gives a great advantage for processing instrument tracks like strings for example. If you haven't understand it by now, think of a sidechain deesser like of a dynamically processing highshelf equalizer.
-
-A neat special in the sidechain is the additional peak. Normally "sssss" and "shhhh" are dynamically far apart. With this bell filter you can accentuate or reduce significant frequencies to get the most precise control over your highs before they will reduce your main signal. The peak affects the sidechain signal but isn't added to the main signal's high band in split mode.
-
-Main information about dynamic processing is located in the compressor section. Additional information about sidechaining can be found in the sidechain compressor's section.
-
-Controls
-
-Bypass: Don't process anything, just bypass the signal
-Detected: This meter shows the level of the (filtered) signal which is used for detection
-Gain Reduction: the level of reduction on the original signal
-0dB: Flashes, if the signal rises about 0dB in the output stage
-Active: Flashes, if the deesser detects a noticeable signal
-S/C listen: Sends the sidechain (filtered) signal to the output for acoustical control
-Detection: Choose if the deesser should take the exact signal for detection or an RMS like one (it's mainly smoother)
-Mode: Select your operation mode between wideband or split
-Threshold: If a signal rises above this level it will affect the gain reduction
-Ratio: Set a ratio about which the signal is reduced. 1:2 means that if the level rises 4dB above the threshold, it will be only 2dB above after the reduction.
-Laxity: The reaction of the deesser. Higher values won't affect really short peaks.
-Makeup: Amplify your signal after processing. In split mode only the high band will be made up.
-Split: The split frequency. All signals above this frequency will affect the gain reduction (and are affected in split mode, too)
-Gain: It shifts the volume of the higher band. In wideband mode it affects the sidechain, in split mode it also affects the processed high frequencies.
-Peak: Make a more precise selection of the sidechain signal with this bell
-Level: Increase or decrease the chosen frequency
-Peak Q: Set the quality of the bell. Higher values will affect a narrower, higher ones a wider band
diff --git a/doc/manuals/Deesser.html b/doc/manuals/Deesser.html
new file mode 100644
index 0000000..6fea04e
--- /dev/null
+++ b/doc/manuals/Deesser.html
@@ -0,0 +1,48 @@
+<html>
+ <head>
+ <link type="text/css" rel="stylesheet" href="scripts/thickbox.css" />
+ <link type="text/css" rel="stylesheet" href="scripts/style.css" />
+ <script language="javascript" type="text/javascript" src="scripts/jquery.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/thickbox.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/manual.js"></script>
+ </head>
+ <body>
+ <div class="wrapper">
+ <h1>Deesser</h1>
+ <a href="images/Calf - Deesser.png" title="Calf - Deesser" class="thickbox"><img class="thumbnail" src="images/Calf - Deesser.png" /></a>
+ <h2>Functionality</h2>
+ <p>
+ A Deesser is used to dynamically reduce high frequencies. The standard field of use is the reduction of "sssss" and "shhhh" in vocal tracks, that's where it's name came from. A deesser is mainly based on a compressor that reacts not on the full range signal but on a filtered sidechain signal. The signal is split in two different threads. The sidechain thread is sent through a filter, before it acts as a level for reducing the gain of the main thread. A deesser could also be used to reduce some high transients of a snaredrum or to bring some "air" in a sound without killing your tweeter on attack. So it may act as a creative effect just like a troubleshooter. But never compress a vocal track without adding a deesser afterwards - if you have a heart for your listeners.
+ </p>
+ <h2>Split mode</h2>
+ <p>
+ Calf Deesser is able to be driven in split mode. It means that not the full range signal will be affected by the gain reduction but only frequencies above the split frequency are manipulated in gain. Normally a wideband deesser sounds much cleaner on a single vocal track. But multitimbral vocals recordings could benefit a lot from this functionality. It also gives a great advantage for processing instrument tracks like strings for example. If you haven't understand it by now, think of a sidechain deesser like of a dynamically processing highshelf equalizer.
+ </p>
+ <h2>Tipps</h2>
+ <p>
+ A neat special in the sidechain is the additional peak. Normally "sssss" and "shhhh" are dynamically far apart. With this bell filter you can accentuate or reduce significant frequencies to get the most precise control over your highs before they will reduce your main signal. The peak affects the sidechain signal but isn't added to the main signal's high band in split mode.
+ </p><p>
+ Main information about dynamic processing is located in the compressor section. Additional information about sidechaining can be found in the sidechain compressor's section.
+ </p>
+ <h2>Controls</h2>
+ <ul>
+ <li><strong>Bypass:</strong> Don't process anything, just bypass the signal</li>
+ <li><strong>Detected:</strong> This meter shows the level of the (filtered) signal which is used for detection</li>
+ <li><strong>Gain Reduction:</strong> The level of reduction on the original signal</li>
+ <li><strong>0dB:</strong> Flashes, if the signal rises about 0dB in the output stage</li>
+ <li><strong>Active:</strong> Flashes, if the deesser detects a noticeable signal</li>
+ <li><strong>S/C listen:</strong> Sends the sidechain (filtered) signal to the output for acoustical control</li>
+ <li><strong>Detection:</strong> Choose if the deesser should take the exact signal for detection or an RMS like one (it's mainly smoother)</li>
+ <li><strong>Mode:</strong> Select your operation mode between wideband or split</li>
+ <li><strong>Threshold:</strong> If a signal rises above this level it will affect the gain reduction</li>
+ <li><strong>Ratio:</strong> Set a ratio about which the signal is reduced. 1:2 means that if the level rises 4dB above the threshold, it will be only 2dB above after the reduction.</li>
+ <li><strong>Laxity:</strong> The reaction of the deesser. Higher values won't affect really short peaks.</li>
+ <li><strong>Makeup:</strong> Amplify your signal after processing. In split mode only the high band will be made up.</li>
+ <li><strong>Split:</strong> The split frequency. All signals above this frequency will affect the gain reduction (and are affected in split mode, too)</li>
+ <li><strong>Gain:</strong> It shifts the volume of the higher band. In wideband mode it affects the sidechain, in split mode it also affects the processed high frequencies.</li>
+ <li><strong>Peak:</strong> Make a more precise selection of the sidechain signal with this bell</li>
+ <li><strong>Level:</strong> Increase or decrease the chosen frequency</li>
+ <li><strong>Peak Q:</strong> Set the quality of the bell. Higher values will affect a narrower, higher ones a wider band</li>
+ </div>
+ </body>
+</html>
diff --git a/doc/manuals/Multiband Compressor.html b/doc/manuals/Multiband Compressor.html
new file mode 100644
index 0000000..24c2ff7
--- /dev/null
+++ b/doc/manuals/Multiband Compressor.html
@@ -0,0 +1,54 @@
+<html>
+ <head>
+ <link type="text/css" rel="stylesheet" href="scripts/thickbox.css" />
+ <link type="text/css" rel="stylesheet" href="scripts/style.css" />
+ <script language="javascript" type="text/javascript" src="scripts/jquery.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/thickbox.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/manual.js"></script>
+ </head>
+ <body>
+ <div class="wrapper">
+ <h1>Multiband Compressor</h1>
+ <a href="images/Calf - Multiband Compressor.png" title="Calf - Multiband Compressor" class="thickbox"><img class="thumbnail" src="images/Calf - Multiband Compressor.png" /></a>
+ <h2>Functionality</h2>
+ <p>
+ Multiband compression is the key for a maximum of loudness. Calf Multiband Compressor provides a quad-band
+ multiband compressor to provide a great control over the dynamics in a wide frequency range. This kind of
+ compressor splits the signal in four different frequency ranges. These ranges are compressed separately
+ and mixed together afterwards again. Multiband compressors are mainly used to compress wide range waveforms
+ like complete mixdowns, classical recordings or complex instruments like pianos.
+ </p>
+ <h2>Basics</h2>
+ <p>
+ To understand compression and sidechaining please refer to the compressor's and sidechain compressor's
+ manuals. There you'll find detailed information about those techniques which build the concept of
+ a multiband compressor.
+ </p>
+ <h2>Controls</h2>
+ <ul>
+ <li><strong>Input (knob):</strong> Raise the volume before the signal is sent in the compression stage. If you have found some great settings but want to raise the overall loudness of the track simply increase this level.</li>
+ <li><strong>Input L/R (VU-meter):</strong> The level of the original signal</li>
+ <li><strong>0dB (LED):</strong> Flashes if the level of the original signal raises above 0dB (it doesn't clip your signal)</li>
+ <li><strong>Output L/R (VU-meter):</strong> The level of the compressed and made up signal</li>
+ <li><strong>0dB (LED):</strong> Flashes if the level of the output signal raises above 0dB (it may clip your signal depending on your host and your systems' bitrate!)</li>
+ <li><strong>Output (knob):</strong> Raise the overall volume after the compression stage</li>
+ <li><strong>Bypass:</strong> Don't process anything, just bypass the signal</li>
+
+ <li><strong>Split x:</strong> Frequency to split between these strips</li>
+ <li><strong>Sx:</strong> Separate or overlap the frequencies of the neighbour bands</li>
+ <li><strong>Qx:</strong> Raise the center frequency</li>
+
+ <li><strong>Attack n:</strong> Amount of milliseconds the signal has to rise above the threshold before gain reduction starts</li>
+ <li><strong>Release n:</strong> Amount of milliseconds the signal has to fall below the threshold before the reduction is decreased again</li>
+ <li><strong>Knee n:</strong> Curve the sharp knee around the threshold to enter gain reduction more softly</li>
+ <li><strong>Ratio n:</strong> Set a ratio about which the signal is reduced. 1:2 means that if the level rises 4dB above the threshold, it will be only 2dB above after the reduction.</li>
+ <li><strong>Threshold n:</strong> If a signal rises above this level it will affect the gain reduction</li>
+ <li><strong>Makeup n:</strong> Amplify this frequency range after processing</li>
+ <li><strong>Detection n:</strong> Choose if the strip should take the exact signal for detection or an RMS like one (it's mainly smoother).</li>
+ <li><strong>Gain Reduction n:</strong> The level of reduction in this strip</li>
+ <li><strong>Output n:</strong> The output level of this strip</li>
+ <li><strong>Bypass n:</strong> Don't process anything, just bypass the signal of this strip</li>
+ <li><strong>Mute n:</strong> Don't output anything, just mute the signal of this strip</li>
+ </div>
+ </body>
+</html>
diff --git a/doc/manuals/Pulsator b/doc/manuals/Pulsator
deleted file mode 100644
index c24364c..0000000
--- a/doc/manuals/Pulsator
+++ /dev/null
@@ -1,30 +0,0 @@
-Pulsator
-
-Functionality
-
-Calf Pulsator is something between an autopanner and a tremolo. But it can produce funny stereo effects as well. Pulsator changes the volume of left and right channel based on a LFO (low frequency oscillator) with different waveforms and shifted phases.
-
-The kicker of Pulsator is the ability to define an offset between left and right channel. An offset of 0% means that both LFO shapes match each other. Left and right channel are altered equally - a conventional tremolo. An offset of 50% means that the shape of the right channel is exactly shifted in phase (or moved backwards about half of the frequency) - Pulsator acts as an autopanner. At 100% both curves match again. Every setting inbetween moves the phaseshift gapless between all stages and produces some "bypassing" sounds with sine and triangle waveform. The more you push the fader to the right (starting from the middle) the faster the signal passes from left to right speaker.
-
-A mono switch forces Pulsator to use autopanner input stage, where both left and right channels are merged and redistributed to the amplifier stage again. Otherwise it has to be called "autobalancer" since a panoramic fader needs a mono signal at input. Leaving "Mono-in" switch untouched doesn't affect the input signal at all.
-
-Strange effects can be achieved with square or saw waveforms. Try it with a setting matching your bpm on a crushed drum track or on a synth pad with delay. You will get your frequency if you divide your bpm by 60. So 120 bpm will result in 2Hz which matches the quarters. If it should wobble on the eighths, halve the frequency. If you want a triplet feeling, divide the quarter freqency by 4 and multiply it with 3 afterwards.
-
-If you want to fix Pulsator on a beat you can automate the "Reset" switch in your sequencer to restart the LFO on every bar for example.
-
-Controls
-
-Input: Control the input level before the signal is processed. In this effect it can be useful if you feed Pulsator with a true mono signal only on the left channel. If you toggle "Mono-in" switch active, the signal is decreased by 6dB due to merging. Add those 6dB with input knob again.
-In L/In R: The level after the input knob
-0dB: Flashes if input level rises above 0dB
-Bypass: Don't process anything, just bypass the signal
-Mono-in: Merge left and right channel to mono and split again (for using Pulsator as true autopanner)
-Out L/Out R: The level after processing and after the output knob
-0dB: Flashes if output level rises above 0dB
-Output: Control the output of the effect - clipping could destroy your signal
-Frequency: The speed of the LFO in Hz (1Hz means one wavelength in a second)
-Offset L/R: Delay the right channel in comparison with the left one to shift the phase between them
-Mode: Select a waveform the LFO will use
-Modulation: Define how much your original signal is affected by the LFO
-Reset: Restart the LFO
-
diff --git a/doc/manuals/Pulsator.html b/doc/manuals/Pulsator.html
new file mode 100644
index 0000000..424a2e3
--- /dev/null
+++ b/doc/manuals/Pulsator.html
@@ -0,0 +1,49 @@
+<html>
+ <head>
+ <link type="text/css" rel="stylesheet" href="scripts/thickbox.css" />
+ <link type="text/css" rel="stylesheet" href="scripts/style.css" />
+ <script language="javascript" type="text/javascript" src="scripts/jquery.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/thickbox.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/manual.js"></script>
+ </head>
+ <body>
+ <div class="wrapper">
+ <h1>Pulsator</h1>
+ <a href="images/Calf - Pulsator.png" title="Calf - Pulsator" class="thickbox"><img class="thumbnail" src="images/Calf - Pulsator.png" /></a>
+ <h2>Functionality</h2>
+ <p>
+ Calf Pulsator is something between an autopanner and a tremolo. But it can produce funny stereo effects as well. Pulsator changes the volume of left and right channel based on a LFO (low frequency oscillator) with different waveforms and shifted phases.
+ </p>
+ <h2>Offset</h2>
+ <p>
+ The kicker of Pulsator is the ability to define an offset between left and right channel. An offset of 0% means that both LFO shapes match each other. Left and right channel are altered equally - a conventional tremolo. An offset of 50% means that the shape of the right channel is exactly shifted in phase (or moved backwards about half of the frequency) - Pulsator acts as an autopanner. At 100% both curves match again. Every setting inbetween moves the phaseshift gapless between all stages and produces some "bypassing" sounds with sine and triangle waveform. The more you push the fader to the right (starting from the middle) the faster the signal passes from left to right speaker.
+ </p>
+ <h2>Input</h2>
+ <p>
+ A mono switch forces Pulsator to use autopanner input stage, where both left and right channels are merged and redistributed to the amplifier stage again. Otherwise it has to be called "autobalancer" since a panoramic fader needs a mono signal at input. Leaving "Mono-in" switch untouched doesn't affect the input signal at all.
+ </p>
+ <h2>Tipps</h2>
+ <p>
+ Strange effects can be achieved with square or saw waveforms. Try it with a setting matching your bpm on a crushed drum track or on a synth pad with delay. You will get your frequency if you divide your bpm by 60. So 120 bpm will result in 2Hz which matches the quarters. If it should wobble on the eighths, halve the frequency. If you want a triplet feeling, divide the quarter freqency by 4 and multiply it with 3 afterwards.
+ </p><p>
+ If you want to fix Pulsator on a beat you can automate the "Reset" switch in your sequencer to restart the LFO on every bar for example.
+ </p>
+ <h2>Controls</h2>
+ <ul>
+ <li><strong>Input:</strong> Control the input level before the signal is processed. In this effect it can be useful if you feed Pulsator with a true mono signal only on the left channel. If you toggle "Mono-in" switch active, the signal is decreased by 6dB due to merging. Add those 6dB with input knob again.</li>
+ <li><strong>In L/In R:</strong> The level after the input knob</li>
+ <li><strong>0dB:</strong> Flashes if input level rises above 0dB</li>
+ <li><strong>Bypass:</strong> Don't process anything, just bypass the signal</li>
+ <li><strong>Mono-in:</strong> Merge left and right channel to mono and split again (for using Pulsator as true autopanner)</li>
+ <li><strong>Out L/Out R:</strong> The level after processing and after the output knob</li>
+ <li><strong>0dB:</strong> Flashes if output level rises above 0dB</li>
+ <li><strong>Output:</strong> Control the output of the effect - clipping could destroy your signal</li>
+ <li><strong>Frequency:</strong> The speed of the LFO in Hz (1Hz means one wavelength in a second)</li>
+ <li><strong>Offset L/R:</strong> Delay the right channel in comparison with the left one to shift the phase between them</li>
+ <li><strong>Mode:</strong> Select a waveform the LFO will use</li>
+ <li><strong>Modulation:</strong> Define how much your original signal is affected by the LFO</li>
+ <li><strong>Reset:</strong> Restart the LFO</li>
+ </ul>
+ </div>
+ </body>
+</html>
diff --git a/doc/manuals/Sidechain Compressor.html b/doc/manuals/Sidechain Compressor.html
new file mode 100644
index 0000000..20f86ed
--- /dev/null
+++ b/doc/manuals/Sidechain Compressor.html
@@ -0,0 +1,80 @@
+<html>
+ <head>
+ <link type="text/css" rel="stylesheet" href="scripts/thickbox.css" />
+ <link type="text/css" rel="stylesheet" href="scripts/style.css" />
+ <script language="javascript" type="text/javascript" src="scripts/jquery.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/thickbox.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/manual.js"></script>
+ </head>
+ <body>
+ <div class="wrapper">
+ <h1>Sidechain Compressor</h1>
+ <a href="images/Calf - Sidechain Compressor.png" title="Calf - Sidechain Compressor" class="thickbox"><img class="thumbnail" src="images/Calf - Sidechain Compressor.png" /></a>
+ <h2>Functionality</h2>
+ <p>
+ A sidechain compressor acts like a normal (wideband) compressor but has the ability to filter the detected signal
+ before sendig it to the compression stage.
+ <br /><br />
+ Normally a compressor uses the full range signal to detect a level above the threshold. A sidechain compressor
+ provides a filter (or equalizer) for the detection signal to reduce the bandwidth or to remove some frequencies
+ from it. For example: If you cut all lower frequencies from your detection signal the compressor will decrease the volume
+ of your track only if some loud highs appear. With this technique you are able to reduce the consonants
+ of a vocal track, remove "rumbling" of single notes from a bass guitar or level the dynamics between an clean
+ and a distorted guitar on a single track.
+ </p>
+ <h2>Sidechain</h2>
+ <p>
+ Calf Sidechain Compressor provides two independent filters to give complete control over the sidechain signal.
+ You can listen to the filtered signal through the "S/C Listen" button to set the filters values exactly.
+ The filters' LED's display the status of them. A blue light shows a bell or shelving filter, red light indicates
+ a high-, low- or bandpass.
+ </p>
+ <h2>Split</h2>
+ <p>
+ For deessing or derumbling you can choose a "split" mode from the list, too. While in this mode only one filter is
+ set to active. Choose a split frequency with this one. The other filter is used internally to split the signal
+ to be compressed at the same frequency as the sidechain filter. After compressing the chosen frequency range
+ through the (also filtered) sidechain it is added to the untouched frequency range again. Split mode gives
+ you the ability to reduce a defined frequency range without affecting other frequencies. It can be useful for
+ example to reduce an outstanding crash cymbal on a bassdrum in a mixdown without affecting the pressure of the
+ kick. Or perhaps to level sharp consonants on a recording of a choir. It also may add some missing "air"
+ in a vocal recording, a stings track or what ever without raising attacks or loud enough heights.
+ </p>
+ <h2>More</h2>
+ <p>
+ A specialized version of the sidechain compressor is the deesser. It works mostly like a sidechain compressor
+ but with specialized settings to be more effective on vocal tracks or high frequency compression.
+ <br /><br />
+ If you have a signal containing complex or wideband frequency ranges and have problems in different ranges
+ then a multiband compressor could be the right choice.
+ <br /><br />
+ For more information about compression and the essential values please refer to the compressor's manual.
+ </p>
+ <h2>Controls</h2>
+ <ul>
+ <li><strong>Bypass:</strong> Don't process anything, just bypass the signal</li>
+ <li><strong>Input (knob):</strong> Raise the volume before the signal is sent in the compression stage. If you have found some great settings but want to raise the overall loudness of the track simply increase this level.</li>
+ <li><strong>Input (VU-meter):</strong> The level of the original signal</li>
+ <li><strong>Input (LED):</strong> Flashes if the level of the original signal raises above 0dB (it doesn't clip your signal)</li>
+ <li><strong>Output (VU-meter):</strong> The level of the compressed and made up signal</li>
+ <li><strong>Output (LED):</strong> Flashes if the level of the output signal raises above 0dB (it may clip your signal depending on your host and your systems' bitrate!)</li>
+ <li><strong>Attack:</strong> Amount of milliseconds the signal has to rise above the threshold before gain reduction starts</li>
+ <li><strong>Release:</strong> Amount of milliseconds the signal has to fall below the threshold before the reduction is decreased again</li>
+ <li><strong>Knee:</strong> Curve the sharp knee around the threshold to enter gain reduction more softly</li>
+ <li><strong>Ratio:</strong> Set a ratio about which the signal is reduced. 1:2 means that if the level rises 4dB above the threshold, it will be only 2dB above after the reduction.</li>
+ <li><strong>Threshold:</strong> If a signal rises above this level it will affect the gain reduction</li>
+ <li><strong>Makeup:</strong> Amplify your signal after processing</li>
+ <li><strong>Stereo Link:</strong> Choose if the average level between both channels or the louder channel affects the reduction</li>
+ <li><strong>Detection:</strong> Choose if the deesser should take the exact signal for detection or an RMS like one (it's mainly smoother).</li>
+ <li><strong>Gain Reduction:</strong> The level of reduction on the original signal</li>
+ <li><strong>Sidechain Mode:</strong> The selection of filters to use in the sidechain</li>
+ <li><strong>S/C Listen:</strong> Route the filtered sidechain signal to the output for monitoring purposes</li>
+ <li><strong>F1 active:</strong> Displays the status of filter #1: Off - off, blue - bell or shelving, red - band-, high- or lowpass</li>
+ <li><strong>F1 Freq:</strong> The frequency of filter #1</li>
+ <li><strong>F1 Level:</strong> Increase or decrease the chosen frequencies</li>
+ <li><strong>F2 active:</strong> Displays the status of filter #2: Off - off, blue - bell or shelving, red - band-, high- or lowpass</li>
+ <li><strong>F2 Freq:</strong> The frequency of filter #2</li>
+ <li><strong>F2 Level:</strong> Increase or decrease the chosen frequencies</li>
+ </div>
+ </body>
+</html>
diff --git a/doc/manuals/_blank.html b/doc/manuals/_blank.html
new file mode 100644
index 0000000..baaf66e
--- /dev/null
+++ b/doc/manuals/_blank.html
@@ -0,0 +1,23 @@
+<html>
+ <head>
+ <link type="text/css" rel="stylesheet" href="scripts/thickbox.css" />
+ <link type="text/css" rel="stylesheet" href="scripts/style.css" />
+ <script language="javascript" type="text/javascript" src="scripts/jquery.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/thickbox.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/manual.js"></script>
+ </head>
+ <body>
+ <div class="wrapper">
+ <h1>Headline</h1>
+ <a href="images/Calf - Compressor.png" title="Calf - Compressor" class="thickbox"><img class="thumbnail" src="images/Calf - Compressor.png" /></a>
+ <h2>Functionality</h2>
+ <p>
+ Text here.
+ </p>
+ <h2>Controls</h2>
+ <ul>
+ <li><strong>Bypass:</strong> Don't process anything, just bypass the signal</li>
+ <li><strong>0dB:</strong> Flashes, if the signal rises about 0dB in the output stage</li>
+ </div>
+ </body>
+</html>
diff --git a/doc/manuals/images/Calf - Compressor.png b/doc/manuals/images/Calf - Compressor.png
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diff --git a/doc/manuals/index.html b/doc/manuals/index.html
new file mode 100644
index 0000000..ddf4116
--- /dev/null
+++ b/doc/manuals/index.html
@@ -0,0 +1,21 @@
+<html>
+ <head>
+ <link type="text/css" rel="stylesheet" href="scripts/thickbox.css" />
+ <link type="text/css" rel="stylesheet" href="scripts/style.css" />
+ <script language="javascript" type="text/javascript" src="scripts/jquery.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/thickbox.js"></script>
+ <script language="javascript" type="text/javascript" src="scripts/manual.js"></script>
+ </head>
+ <body>
+ <div class="wrapper">
+ <h1>Calf Manuals</h1>
+ <p>
+ The Manuals provide a lot of information around Calf Studiogear. Every Plugin
+ is described exactly and all controls of the GUI are explained. Additionally
+ there is a lot of information about using the plugins in everydays work next to
+ some start-from-here-settings.
+ </p>
+ <p class="index"> </p>
+ </div>
+ </body>
+</html>
diff --git a/doc/manuals/scripts/jquery.js b/doc/manuals/scripts/jquery.js
new file mode 100644
index 0000000..82b98e1
--- /dev/null
+++ b/doc/manuals/scripts/jquery.js
@@ -0,0 +1,32 @@
+/*
+ * jQuery 1.2.6 - New Wave Javascript
+ *
+ * Copyright (c) 2008 John Resig (jquery.com)
+ * Dual licensed under the MIT (MIT-LICENSE.txt)
+ * and GPL (GPL-LICENSE.txt) licenses.
+ *
+ * $Date: 2008-05-24 14:22:17 -0400 (Sat, 24 May 2008) $
+ * $Rev: 5685 $
+ */
+(function(){var _jQuery=window.jQuery,_$=window.$;var jQuery=window.jQuery=window.$=function(selector,context){return new jQuery.fn.init(selector,context);};var quickExpr=/^[^<]*(<(.|\s)+>)[^>]*$|^#(\w+)$/,isSimple=/^.[^:#\[\.]*$/,undefined;jQuery.fn=jQuery.prototype={init:function(selector,context){selector=selector||document;if(selector.nodeType){this[0]=selector;this.length=1;return this;}if(typeof selector=="string"){var match=quickExpr.exec(selector);if(match&&(match[1]||!context)){if(match[1])selector=jQuery.clean([match[1]],context);else{var elem=document.getElementById(match[3]);if(elem){if(elem.id!=match[3])return jQuery().find(selector);return jQuery(elem);}selector=[];}}else
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this.options.curAnim)if(this.options.curAnim[i]!==true)done=false;if(done){if(this.options.display!=null){this.elem.style.overflow=this.options.overflow;this.elem.style.display=this.options.display;if(jQuery.css(this.elem,"display")=="none")this.elem.style.display="block";}if(this.options.hide)this.elem.style.display="none";if(this.options.hide||this.options.show)for(var p in this.options.curAnim)jQuery.attr(this.elem.style,p,this.options.orig[p]);}if(done)this.options.complete.call(this.elem);return false;}else{var n=t-this.startTime;this.state=n/this.options.duration;this.pos=jQuery.easing[this.options.easing||(jQuery.easing.swing?"swing":"linear")](this.state,n,0,1,this.options.duration);this.now=this.start+((this.end-this.start)*this.pos);this.update();}return true;}};jQuery.extend(jQuery.fx,{speeds:{slow:600,fast:200,def:400},step:{scrollLeft:function(fx){fx.elem.scrollLeft=fx.now;},scrollTop:function(fx){fx.elem.scrollTop=fx.now;},opacity:function(fx){jQuery.attr(fx.elem.style,"opacity",fx.now);},_default:function(fx){fx.elem.style[fx.prop]=fx.now+fx.unit;}}});jQuery.fn.offset=function(){var left=0,top=0,elem=this[0],results;if(elem)with(jQuery.browser){var parent=elem.parentNode,offsetChild=elem,offsetParent=elem.offsetParent,doc=elem.ownerDocument,safari2=safari&&parseInt(version)<522&&!/adobeair/i.test(userAgent),css=jQuery.curCSS,fixed=css(elem,"position")=="fixed";if(elem.getBoundingClientRect){var box=elem.getBoundingClientRect();add(box.left+Math.max(doc.documentElement.scrollLeft,doc.body.scrollLeft),box.top+Math.max(doc.documentElement.scrollTop,doc.body.scrollTop));add(-doc.documentElement.clientLeft,-doc.documentElement.clientTop);}else{add(elem.offsetLeft,elem.offsetTop);while(offsetParent){add(offsetParent.offsetLeft,offsetParent.offsetTop);if(mozilla&&!/^t(able|d|h)$/i.test(offsetParent.tagName)||safari&&!safari2)border(offsetParent);if(!fixed&&css(offsetParent,"position")=="fixed")fixed=true;offsetChild=/^body$/i.test(offsetParent.tagName)?offsetChild:offsetParent;offsetParent=offsetParent.offsetParent;}while(parent&&parent.tagName&&!/^body|html$/i.test(parent.tagName)){if(!/^inline|table.*$/i.test(css(parent,"display")))add(-parent.scrollLeft,-parent.scrollTop);if(mozilla&&css(parent,"overflow")!="visible")border(parent);parent=parent.parentNode;}if((safari2&&(fixed||css(offsetChild,"position")=="absolute"))||(mozilla&&css(offsetChild,"position")!="absolute"))add(-doc.body.offsetLeft,-doc.body.offsetTop);if(fixed)add(Math.max(doc.documentElement.scrollLeft,doc.body.scrollLeft),Math.max(doc.documentElement.scrollTop,doc.body.scrollTop));}results={top:top,left:left};}function border(elem){add(jQuery.curCSS(elem,"borderLeftWidth",true),jQuery.curCSS(elem,"borderTopWidth",true));}function add(l,t){left+=parseInt(l,10)||0;top+=parseInt(t,10)||0;}return results;};jQuery.fn.extend({position:function(){var left=0,top=0,results;if(this[0]){var offsetParent=this.offsetParent(),offset=this.offset(),parentOffset=/^body|html$/i.test(offsetParent[0].tagName)?{top:0,left:0}:offsetParent.offset();offset.top-=num(this,'marginTop');offset.left-=num(this,'marginLeft');parentOffset.top+=num(offsetParent,'borderTopWidth');parentOffset.left+=num(offsetParent,'borderLeftWidth');results={top:offset.top-parentOffset.top,left:offset.left-parentOffset.left};}return results;},offsetParent:function(){var offsetParent=this[0].offsetParent;while(offsetParent&&(!/^body|html$/i.test(offsetParent.tagName)&&jQuery.css(offsetParent,'position')=='static'))offsetParent=offsetParent.offsetParent;return jQuery(offsetParent);}});jQuery.each(['Left','Top'],function(i,name){var method='scroll'+name;jQuery.fn[method]=function(val){if(!this[0])return;return val!=undefined?this.each(function(){this==window||this==document?window.scrollTo(!i?val:jQuery(window).scrollLeft(),i?val:jQuery(window).scrollTop()):this[method]=val;}):this[0]==window||this[0]==document?self[i?'pageYOffset':'pageXOffset']||jQuery.boxModel&&document.documentElement[method]||document.body[method]:this[0][method];};});jQuery.each(["Height","Width"],function(i,name){var tl=i?"Left":"Top",br=i?"Right":"Bottom";jQuery.fn["inner"+name]=function(){return this[name.toLowerCase()]()+num(this,"padding"+tl)+num(this,"padding"+br);};jQuery.fn["outer"+name]=function(margin){return this["inner"+name]()+num(this,"border"+tl+"Width")+num(this,"border"+br+"Width")+(margin?num(this,"margin"+tl)+num(this,"margin"+br):0);};});})();
\ No newline at end of file
diff --git a/doc/manuals/scripts/manual.js b/doc/manuals/scripts/manual.js
new file mode 100644
index 0000000..bf47f22
--- /dev/null
+++ b/doc/manuals/scripts/manual.js
@@ -0,0 +1,27 @@
+$(document).ready(function () {
+ var items = [
+ ["Index", "index.html", false],
+ ["Calf", "Calf.html", "images/Calf.png"],
+ ["Compressor", "Compressor.html", "images/Calf - Compressor.png"],
+ ["Sidechain Compressor", "Sidechain Compressor.html", "images/Calf - Sidechain Compressor.png"],
+ ["Multiband Compressor", "Multiband Compressor.html", "images/Calf - Multiband Compressor.png"],
+ ["Deesser", "Deesser.html", "images/Calf - Deesser.png"],
+ ["Pulsator", "Pulsator.html", "images/Calf - Pulsator.png"],
+ ];
+
+ var menu = '<div class="header"><img src="images/style_logo.png" align="middle" />';
+ menu += '<a href="index.html" title="Index">Index</a>';
+ var links = "";
+ for(var i = 1; i < items.length; i++) {
+ links += "<a href=\"" + items[i][1] + "\" title=\"" + items[i][0] + "\">";
+ if(items[i][2]) {
+ links += "<img src=\"" + items[i][2] + "\" alt=\"" + items[i][0] + "\" class=\"thickbox\">";
+ }
+ links += items[i][0] + "</a>";
+ }
+ menu += links + "</div>";
+ $("body").prepend(menu);
+ $(".index").prepend(links);
+ $("h2").append(" «").prepend("» ");
+
+});
diff --git a/doc/manuals/scripts/style.css b/doc/manuals/scripts/style.css
new file mode 100644
index 0000000..22af8c2
--- /dev/null
+++ b/doc/manuals/scripts/style.css
@@ -0,0 +1,99 @@
+body {
+ background: url(../../../gui/background_blue.png);
+ color: white;
+ text-align: center;
+ font-family: sans-serif;
+ font-size: 0.8em;
+}
+a {
+ color: #D5F16A;
+ font-weight: bold;
+ text-decoration: none;
+}
+a:hover {
+ color: white;
+}
+img {
+ border: none;
+}
+h1 {
+ color: #D5F16A;
+ text-align: center;
+ padding: 20px;
+ border: 1px dotted #fff;
+ margin: 0 0 10px 0;
+}
+h2 {
+ color: #D5F16A;
+ font-size: 20px;
+ font-weight: normal;
+
+ padding: 5px 0 10px 0;
+}
+h3 {
+
+}
+p, ul {
+ background: url(../images/style_p.png) transparent;
+ margin: 0 0 15px;
+ padding: 10px;
+ border: 1px solid black;
+}
+ul {
+}
+li {
+ padding: 0;
+ margin: 20;
+}
+strong {
+ color: #D5F16A;
+}
+
+.wrapper {
+ clear: both;
+ width: 800px;
+ margin: auto;
+ text-align: left;
+}
+.thumbnail {
+ width: 400px;
+ float: right;
+ padding: 10px;
+}
+
+.header {
+ width: 800px;
+ margin: auto;
+ text-align: left;
+}
+.header img {
+ margin: 20px;
+ float: left;
+}
+.header a {
+ margin: 1px;
+ display: block;
+ background: url(../images/style_p.png) transparent;
+ border: 1px solid black;
+ padding: 3px;
+ float: left;
+ font-weight: normal;
+}
+.header a img {
+ display: none;
+ margin: 0;
+}
+
+.index {
+ padding-left: 200px;
+}
+.index a {
+ display: block;
+ font-weight: normal;
+ font-size: 20px;
+}
+.index a img {
+ width: 100px;
+ vertical-align: middle;
+ padding: 15px;
+}
diff --git a/doc/manuals/scripts/thickbox.css b/doc/manuals/scripts/thickbox.css
new file mode 100644
index 0000000..57abdf2
--- /dev/null
+++ b/doc/manuals/scripts/thickbox.css
@@ -0,0 +1,172 @@
+/* ----------------------------------------------------------------------------------------------------------------*/
+/* ---------->>> global settings needed for thickbox <<<-----------------------------------------------------------*/
+/* ----------------------------------------------------------------------------------------------------------------*/
+*{padding: 0; margin: 0;}
+
+/* ----------------------------------------------------------------------------------------------------------------*/
+/* ---------->>> thickbox specific link and font settings <<<------------------------------------------------------*/
+/* ----------------------------------------------------------------------------------------------------------------*/
+#TB_window {
+ font: 12px Arial, Helvetica, sans-serif;
+ color: #fff;
+}
+
+#TB_secondLine {
+ font: 10px Arial, Helvetica, sans-serif;
+ color:#aaa;
+}
+
+#TB_window a:link {color: #aaa;}
+#TB_window a:visited {color: #aaa;}
+#TB_window a:hover {color: #fff;}
+#TB_window a:active {color: #aaa;}
+#TB_window a:focus{color: #aaa;}
+
+/* ----------------------------------------------------------------------------------------------------------------*/
+/* ---------->>> thickbox settings <<<-----------------------------------------------------------------------------*/
+/* ----------------------------------------------------------------------------------------------------------------*/
+#TB_overlay {
+ position: fixed;
+ z-index:100;
+ top: 0px;
+ left: 0px;
+ height:100%;
+ width:100%;
+}
+
+.TB_overlayMacFFBGHack {background: url(macFFBgHack.png) repeat;}
+.TB_overlayBG {
+ background-color:#000;
+ filter:alpha(opacity=75);
+ -moz-opacity: 0.75;
+ opacity: 0.75;
+}
+
+* html #TB_overlay { /* ie6 hack */
+ position: absolute;
+ height: expression(document.body.scrollHeight > document.body.offsetHeight ? document.body.scrollHeight : document.body.offsetHeight + 'px');
+}
+
+#TB_window {
+ position: fixed;
+ background: black;
+ z-index: 102;
+ color:#fff;
+ display:none;
+ border: 4px solid #525252;
+ text-align:left;
+ top:50%;
+ left:50%;
+}
+
+* html #TB_window { /* ie6 hack */
+position: absolute;
+margin-top: expression(0 - parseInt(this.offsetHeight / 2) + (TBWindowMargin = document.documentElement && document.documentElement.scrollTop || document.body.scrollTop) + 'px');
+}
+
+#TB_window img#TB_Image {
+ display:block;
+ margin: 15px 0 0 15px;
+ border-right: 1px solid #ccc;
+ border-bottom: 1px solid #ccc;
+ border-top: 1px solid #666;
+ border-left: 1px solid #666;
+}
+#TB_window a {
+ background-image: none;
+}
+#TB_caption{
+ height:25px;
+ padding:7px 30px 10px 25px;
+ float:left;
+}
+
+#TB_closeWindow {
+ padding: 0px 5px 0px 5px;
+ font-size: 8pt;
+ float:right;
+ background-image: url(../images/button.gif);
+ background-repeat: repeat-x;
+}
+#TB_closeWindow a {
+ font-size: 8pt;
+ color: #f60;
+ padding: 0px;
+ text-decoration: none;
+}
+#TB_closeAjaxWindow{
+ padding:7px 10px 5px 0;
+ margin-bottom:1px;
+ text-align:right;
+ float:right;
+}
+
+#TB_ajaxWindowTitle{
+ float:left;
+ padding:7px 0 5px 10px;
+ margin-bottom:1px;
+}
+
+#TB_title{
+ background-color:#e8e8e8;
+ height:27px;
+}
+
+#TB_ajaxContent{
+ clear:both;
+ padding:2px 15px 15px 15px;
+ overflow:auto;
+ text-align:left;
+ line-height:1.4em;
+}
+
+#TB_ajaxContent.TB_modal{
+ padding:15px;
+}
+
+#TB_ajaxContent p{
+ padding:5px 0px 5px 0px;
+}
+
+#TB_load{
+ position: fixed;
+ display:none;
+ height:13px;
+ width:208px;
+ z-index:103;
+ top: 50%;
+ left: 50%;
+ margin: -6px 0 0 -104px; /* -height/2 0 0 -width/2 */
+}
+
+* html #TB_load { /* ie6 hack */
+position: absolute;
+margin-top: expression(0 - parseInt(this.offsetHeight / 2) + (TBWindowMargin = document.documentElement && document.documentElement.scrollTop || document.body.scrollTop) + 'px');
+}
+
+#TB_HideSelect{
+ z-index:99;
+ position:fixed;
+ top: 0;
+ left: 0;
+ background-color:#fff;
+ border:none;
+ filter:alpha(opacity=0);
+ -moz-opacity: 0;
+ opacity: 0;
+ height:100%;
+ width:100%;
+}
+
+* html #TB_HideSelect { /* ie6 hack */
+ position: absolute;
+ height: expression(document.body.scrollHeight > document.body.offsetHeight ? document.body.scrollHeight : document.body.offsetHeight + 'px');
+}
+
+#TB_iframeContent{
+ clear:both;
+ border:none;
+ margin-bottom:-1px;
+ margin-top:1px;
+ _margin-bottom:1px;
+}
diff --git a/doc/manuals/scripts/thickbox.js b/doc/manuals/scripts/thickbox.js
new file mode 100644
index 0000000..eb74245
--- /dev/null
+++ b/doc/manuals/scripts/thickbox.js
@@ -0,0 +1,319 @@
+/*
+ * Thickbox 3.1 - One Box To Rule Them All.
+ * By Cody Lindley (http://www.codylindley.com)
+ * Copyright (c) 2007 cody lindley
+ * Licensed under the MIT License: http://www.opensource.org/licenses/mit-license.php
+*/
+
+var tb_pathToImage = "images/loading.gif";
+
+/*!!!!!!!!!!!!!!!!! edit below this line at your own risk !!!!!!!!!!!!!!!!!!!!!!!*/
+
+//on page load call tb_init
+$(document).ready(function(){
+ tb_init('a.thickbox, area.thickbox, input.thickbox');//pass where to apply thickbox
+ imgLoader = new Image();// preload image
+ imgLoader.src = tb_pathToImage;
+});
+
+//add thickbox to href & area elements that have a class of .thickbox
+function tb_init(domChunk){
+ $(domChunk).click(function(){
+ var t = this.title || this.name || null;
+ var a = this.href || this.alt;
+ var g = this.rel || false;
+ tb_show(t,a,g);
+ this.blur();
+ return false;
+ });
+}
+
+function tb_show(caption, url, imageGroup) {//function called when the user clicks on a thickbox link
+
+ try {
+ if (typeof document.body.style.maxHeight === "undefined") {//if IE 6
+ $("body","html").css({height: "100%", width: "100%"});
+ $("html").css("overflow","hidden");
+ if (document.getElementById("TB_HideSelect") === null) {//iframe to hide select elements in ie6
+ $("body").append("<iframe id='TB_HideSelect'></iframe><div id='TB_overlay'></div><div id='TB_window'></div>");
+ $("#TB_overlay").click(tb_remove);
+ }
+ }else{//all others
+ if(document.getElementById("TB_overlay") === null){
+ $("body").append("<div id='TB_overlay'></div><div id='TB_window'></div>");
+ $("#TB_overlay").click(tb_remove);
+ }
+ }
+
+ if(tb_detectMacXFF()){
+ $("#TB_overlay").addClass("TB_overlayMacFFBGHack");//use png overlay so hide flash
+ }else{
+ $("#TB_overlay").addClass("TB_overlayBG");//use background and opacity
+ }
+
+ if(caption===null){caption="";}
+ $("body").append("<div id='TB_load'><img src='"+imgLoader.src+"' /></div>");//add loader to the page
+ $('#TB_load').show();//show loader
+
+ var baseURL;
+ if(url.indexOf("?")!==-1){ //ff there is a query string involved
+ baseURL = url.substr(0, url.indexOf("?"));
+ }else{
+ baseURL = url;
+ }
+
+ var urlString = /\.jpg$|\.jpeg$|\.png$|\.gif$|\.bmp$/;
+ var urlType = baseURL.toLowerCase().match(urlString);
+
+ if(urlType == '.jpg' || urlType == '.jpeg' || urlType == '.png' || urlType == '.gif' || urlType == '.bmp'){//code to show images
+
+ TB_PrevCaption = "";
+ TB_PrevURL = "";
+ TB_PrevHTML = "";
+ TB_NextCaption = "";
+ TB_NextURL = "";
+ TB_NextHTML = "";
+ TB_imageCount = "";
+ TB_FoundURL = false;
+ if(imageGroup){
+ TB_TempArray = $("a[@rel="+imageGroup+"]").get();
+ for (TB_Counter = 0; ((TB_Counter < TB_TempArray.length) && (TB_NextHTML === "")); TB_Counter++) {
+ var urlTypeTemp = TB_TempArray[TB_Counter].href.toLowerCase().match(urlString);
+ if (!(TB_TempArray[TB_Counter].href == url)) {
+ if (TB_FoundURL) {
+ TB_NextCaption = TB_TempArray[TB_Counter].title;
+ TB_NextURL = TB_TempArray[TB_Counter].href;
+ TB_NextHTML = "<span id='TB_next'> <a href='#'>Next»</a></span>";
+ } else {
+ TB_PrevCaption = TB_TempArray[TB_Counter].title;
+ TB_PrevURL = TB_TempArray[TB_Counter].href;
+ TB_PrevHTML = "<span id='TB_prev'> <a href='#'>«Prev</a></span>";
+ }
+ } else {
+ TB_FoundURL = true;
+ TB_imageCount = "Bild " + (TB_Counter + 1) +" von "+ (TB_TempArray.length);
+ }
+ }
+ }
+
+ imgPreloader = new Image();
+ imgPreloader.onload = function(){
+ imgPreloader.onload = null;
+
+ // Resizing large images - orginal by Christian Montoya edited by me.
+ var pagesize = tb_getPageSize();
+ var x = pagesize[0] - 150;
+ var y = pagesize[1] - 150;
+ var imageWidth = imgPreloader.width;
+ var imageHeight = imgPreloader.height;
+ if (imageWidth > x) {
+ imageHeight = imageHeight * (x / imageWidth);
+ imageWidth = x;
+ if (imageHeight > y) {
+ imageWidth = imageWidth * (y / imageHeight);
+ imageHeight = y;
+ }
+ } else if (imageHeight > y) {
+ imageWidth = imageWidth * (y / imageHeight);
+ imageHeight = y;
+ if (imageWidth > x) {
+ imageHeight = imageHeight * (x / imageWidth);
+ imageWidth = x;
+ }
+ }
+ // End Resizing
+
+ TB_WIDTH = imageWidth + 30;
+ TB_HEIGHT = imageHeight + 60;
+ $("#TB_window").append("<div id='TB_closeWindow'><a href='#' id='TB_closeWindowButton' title='Close'>«close»</a></div><a href='' id='TB_ImageOff' title='Close'><img id='TB_Image' src='"+url+"' width='"+imageWidth+"' height='"+imageHeight+"' alt='"+caption+"'/></a>" + "<div id='TB_caption'>"+caption+"<div id='TB_secondLine'>" + TB_imageCount + TB_PrevHTML + TB_NextHTML + "</div></div>");
+
+ $("#TB_closeWindowButton").click(tb_remove);
+
+ if (!(TB_PrevHTML === "")) {
+ function goPrev(){
+ if($(document).unbind("click",goPrev)){$(document).unbind("click",goPrev);}
+ $("#TB_window").remove();
+ $("body").append("<div id='TB_window'></div>");
+ tb_show(TB_PrevCaption, TB_PrevURL, imageGroup);
+ return false;
+ }
+ $("#TB_prev").click(goPrev);
+ }
+
+ if (!(TB_NextHTML === "")) {
+ function goNext(){
+ $("#TB_window").remove();
+ $("body").append("<div id='TB_window'></div>");
+ tb_show(TB_NextCaption, TB_NextURL, imageGroup);
+ return false;
+ }
+ $("#TB_next").click(goNext);
+
+ }
+
+ document.onkeydown = function(e){
+ if (e == null) { // ie
+ keycode = event.keyCode;
+ } else { // mozilla
+ keycode = e.which;
+ }
+ if(keycode == 27){ // close
+ tb_remove();
+ } else if(keycode == 190){ // display previous image
+ if(!(TB_NextHTML == "")){
+ document.onkeydown = "";
+ goNext();
+ }
+ } else if(keycode == 188){ // display next image
+ if(!(TB_PrevHTML == "")){
+ document.onkeydown = "";
+ goPrev();
+ }
+ }
+ };
+
+ tb_position();
+ $("#TB_load").remove();
+ $("#TB_ImageOff").click(tb_remove);
+ $("#TB_window").css({display:"block"}); //for safari using css instead of show
+ };
+
+ imgPreloader.src = url;
+ }else{//code to show html
+
+ var queryString = url.replace(/^[^\?]+\??/,'');
+ var params = tb_parseQuery( queryString );
+
+ TB_WIDTH = (params['width']*1) + 30 || 630; //defaults to 630 if no paramaters were added to URL
+ TB_HEIGHT = (params['height']*1) + 40 || 440; //defaults to 440 if no paramaters were added to URL
+ ajaxContentW = TB_WIDTH - 30;
+ ajaxContentH = TB_HEIGHT - 45;
+
+ if(url.indexOf('TB_iframe') != -1){// either iframe or ajax window
+ urlNoQuery = url.split('TB_');
+ $("#TB_iframeContent").remove();
+ if(params['modal'] != "true"){//iframe no modal
+ $("#TB_window").append("<div id='TB_title'><div id='TB_ajaxWindowTitle'>"+caption+"</div><div id='TB_closeAjaxWindow'><a href='#' id='TB_closeWindowButton' title='Close'>«close»</a></div></div><iframe frameborder='0' hspace='0' src='"+urlNoQuery[0]+"' id='TB_iframeContent' name='TB_iframeContent"+Math.round(Math.random()*1000)+"' onload='tb_showIframe()' style='width:"+(ajaxContentW + 29)+"px;height:"+(ajaxContentH + 17)+"px;' > </iframe>");
+ }else{//iframe modal
+ $("#TB_overlay").unbind();
+ $("#TB_window").append("<iframe frameborder='0' hspace='0' src='"+urlNoQuery[0]+"' id='TB_iframeContent' name='TB_iframeContent"+Math.round(Math.random()*1000)+"' onload='tb_showIframe()' style='width:"+(ajaxContentW + 29)+"px;height:"+(ajaxContentH + 17)+"px;'> </iframe>");
+ }
+ }else{// not an iframe, ajax
+ if($("#TB_window").css("display") != "block"){
+ if(params['modal'] != "true"){//ajax no modal
+ $("#TB_window").append("<div id='TB_title'><div id='TB_ajaxWindowTitle'>"+caption+"</div><div id='TB_closeAjaxWindow'><a href='#' id='TB_closeWindowButton'>«close»</a></div></div><div id='TB_ajaxContent' style='width:"+ajaxContentW+"px;height:"+ajaxContentH+"px'></div>");
+ }else{//ajax modal
+ $("#TB_overlay").unbind();
+ $("#TB_window").append("<div id='TB_ajaxContent' class='TB_modal' style='width:"+ajaxContentW+"px;height:"+ajaxContentH+"px;'></div>");
+ }
+ }else{//this means the window is already up, we are just loading new content via ajax
+ $("#TB_ajaxContent")[0].style.width = ajaxContentW +"px";
+ $("#TB_ajaxContent")[0].style.height = ajaxContentH +"px";
+ $("#TB_ajaxContent")[0].scrollTop = 0;
+ $("#TB_ajaxWindowTitle").html(caption);
+ }
+ }
+
+ $("#TB_closeWindowButton").click(tb_remove);
+
+ if(url.indexOf('TB_inline') != -1){
+ $("#TB_ajaxContent").append($('#' + params['inlineId']).children());
+ $("#TB_window").unload(function () {
+ $('#' + params['inlineId']).append( $("#TB_ajaxContent").children() ); // move elements back when you're finished
+ });
+ tb_position();
+ $("#TB_load").remove();
+ $("#TB_window").css({display:"block"});
+ }else if(url.indexOf('TB_iframe') != -1){
+ tb_position();
+ if($.browser.safari){//safari needs help because it will not fire iframe onload
+ $("#TB_load").remove();
+ $("#TB_window").css({display:"block"});
+ }
+ }else{
+ $("#TB_ajaxContent").load(url += "&random=" + (new Date().getTime()),function(){//to do a post change this load method
+ tb_position();
+ $("#TB_load").remove();
+ tb_init("#TB_ajaxContent a.thickbox");
+ $("#TB_window").css({display:"block"});
+ });
+ }
+
+ }
+
+ if(!params['modal']){
+ document.onkeyup = function(e){
+ if (e == null) { // ie
+ keycode = event.keyCode;
+ } else { // mozilla
+ keycode = e.which;
+ }
+ if(keycode == 27){ // close
+ tb_remove();
+ }
+ };
+ }
+
+ } catch(e) {
+ //nothing here
+ }
+}
+
+//helper functions below
+function tb_showIframe(){
+ $("#TB_load").remove();
+ $("#TB_window").css({display:"block"});
+}
+
+function tb_remove() {
+ $("#TB_imageOff").unbind("click");
+ $("#TB_closeWindowButton").unbind("click");
+ $("#TB_window").fadeOut("fast",function(){$('#TB_window,#TB_overlay,#TB_HideSelect').trigger("unload").unbind().remove();});
+ $("#TB_load").remove();
+ if (typeof document.body.style.maxHeight == "undefined") {//if IE 6
+ $("body","html").css({height: "auto", width: "auto"});
+ $("html").css("overflow","");
+ }
+ document.onkeydown = "";
+ document.onkeyup = "";
+ return false;
+}
+
+function tb_position() {
+$("#TB_window").css({marginLeft: '-' + parseInt((TB_WIDTH / 2),10) + 'px', width: TB_WIDTH + 'px'});
+ if ( !(jQuery.browser.msie && jQuery.browser.version < 7)) { // take away IE6
+ $("#TB_window").css({marginTop: '-' + parseInt((TB_HEIGHT / 2),10) + 'px'});
+ }
+}
+
+function tb_parseQuery ( query ) {
+ var Params = {};
+ if ( ! query ) {return Params;}// return empty object
+ var Pairs = query.split(/[;&]/);
+ for ( var i = 0; i < Pairs.length; i++ ) {
+ var KeyVal = Pairs[i].split('=');
+ if ( ! KeyVal || KeyVal.length != 2 ) {continue;}
+ var key = unescape( KeyVal[0] );
+ var val = unescape( KeyVal[1] );
+ val = val.replace(/\+/g, ' ');
+ Params[key] = val;
+ }
+ return Params;
+}
+
+function tb_getPageSize(){
+ var de = document.documentElement;
+ var w = window.innerWidth || self.innerWidth || (de&&de.clientWidth) || document.body.clientWidth;
+ var h = window.innerHeight || self.innerHeight || (de&&de.clientHeight) || document.body.clientHeight;
+ arrayPageSize = [w,h];
+ return arrayPageSize;
+}
+
+function tb_detectMacXFF() {
+ var userAgent = navigator.userAgent.toLowerCase();
+ if (userAgent.indexOf('mac') != -1 && userAgent.indexOf('firefox')!=-1) {
+ return true;
+ }
+}
+
+
--
calf audio plugins packaging
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